There are glimpses that you could maybe get, but it’s easy to lose them. It reminded me of Fatal Attraction and Hard Candy and Funny Games. I feel like it was a risky script and I don’t see that very often.ĭid you create a backstory for the character, then? Watching the movie, you don’t get a sense of how she ended up the way she is. What an awesome character to play there’s so much going on in her little brain, and there’s the love between her and this other character, Belle, which I thought was so interesting. When I read Knock Knock I saw this very troubled human being who at the same time was empowered and very powerful, with a mission to sort of show the world what men can really be, and to say that the rules are not OK with her. Your character, Genesis, makes a strong case for never opening the door to a stranger.
Here, Izzo-the Chilean-born actress who also stars in the recent thriller The Green Inferno-explains the draw of scary movies and why a simple haircut might have been the most terrifying scene of her career.
What follows is a tense, frightening game of cats-and-mouse that makes it clear nothing a viewer thinks he knows about anyone involved is even remotely true. In Knock Knock, the enthralling new horror film by director Eli Roth, two young women (Lorenza Izzo and Ana de Armas) appear at the door of an architect (Keanu Reeves) whose family has gone away for the weekend.
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